Photo by: Kamryn Taylor
This photo I took for a black and white series where we applied different antique techniques. It took me a couple tries to get this picture the way I wanted it but in the end I’m very happy with the way that it turned out. I think my favorite part it the truck I love how rusted it is and it has been sitting there for awhile so things are growing on it making it a great subject.
5 comments:
I really like how this picture turned out. The old rustic truck makes it look very interesting. If the picture was a little darker then it would be a little easier to see the main focus.
Tyler I. PHS
The Photo shows a rustic Chevrolet tail gate that is closed in what seems a school field in winter. I like the rustic look.
-Rule of thirds is used, because the truck is slanted and positioned on the left side of the photo.
-The lighting is very bright and very clear in focus.
-The mood seems old and the weather seems like winter so a cold feeling.
Rueben B. PHS
The color and the contrast of this picture is amazing I love the time it was taking was perfect.
Rule of thirds was used and the bed of the Chevrolet is leading your eyes all the way to the end of the truck.
The photos lighting is very bright and the focus is on the tail-gate of the Chevrolet.
The mood is calm and makes the viewer believe it is an early morning day.
I like the worn, rugged, and rustic appeal this photo gives off. However, I think the lighting is too soft and the depth of field is too deep, there also seems to be too much exposure. The mood comes off with a gloomy and dark feeling to it. It is a good photo
Tyce T. PHS
I like how he took the picture of the truck at an angle and how the letters pop out the most on the truck.
I think they’re trying to use the rule of thirds because the truck is mainly on the left of the photo and also symmetry because the picture goes to the center of the shot.
The exposure of this picture is a little high because of the light outside and it makes the background slightly blurry.
It has a surprised feeling
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